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Spring 2008

Poetry

VanBuren's picks:

Antonia Clark
Brad Johnson
Dale McLain
Roger Pfingston
Richard Rippon

John Anderson
Cristina Baptista
Cynthia Brackett-Vincent
Michael Brownstein
Nuala Ní Chonchúir
Alison Eastley
Brent Fisk
David Fraser
Krikor der Hohannesian
Amy MacLennan
Lisa Markowitz
Damon McLaughlin
Micki Myers
Roger Pfingston
Heather Schimel
Rachel Stewart
Lafayette Wattles

Flash Fiction

Matt Alberhasky
Margaret Fieland
Robert Johnson
Willie Smith



On Debunking Modern Art

Alex Nodopaka


Pushcart Nominees

Editors

Jennifer VanBuren
Jai Britton
Patrick Carrington


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Ellaraine Lockie

winter 2006

Justification

I considered surrendering
consumption of anything alive
After reading My Year of Meats
 
Until I read The Loop
Where wolves kill a Montana moose
in slow-motion nightmare sequence
 
The pack displaying
pendulous stoles with bared teeth
that lock on bolting prey
Blood-quilted together
and flesh ripped apart
 
Nature's survival of fittest
that makes slaughter houses
look like Kevorkian clinics
 
Where maybe Montana ranchers
learned animal humanity
How to fire one well-placed shot
that serves steak for supper
 
Providing meals minus clandestine DES
animal antibiotics or plastic feed
Food fueled with female replacement iron
robbed by menstrual rustlers
Moral meat despite vegan disapproval

My iron-count cries for more minerals
To quiet incisors that ache
with ancestral instinct
And forebears inhabit my dreams
Haunting with their after-kill howls

Honey

Don't call me honey
in that degrading tone
 
After you've had
a few too many
 
And you really mean bitch
But can't get past
 
the passive aggression
that pinch hits for anger

Because it's been a few too many years
 
And I've come to hate
the word honey

Ellaraine Lockie is widely published and awarded in the U.S., Canada, England and Australia. Her first collection entitled 'Midlife Muse,' won Poetry Forum's chapbook contest and was subsequently published in 2000. Two additional chapbooks have been released in 2003: 'Crossing the Center Line' by Sweet Annie Press, and 'Coloring Outside the Lines' by The Plowman Press (Canada).